Also it feels kind of significant that they finally dropped the word socialist on screen to describe the Federation? They've always danced around it before, but I'm glad they finally made it explicit, even in an off hand way. It helps make the Federation feel less "magical" and more like something that people who existed in history, connected to both the past and the future, had to actually build
Mezentine
Okay there was a lot that worked for me in that episode. The amazing decision to have Pelia knowing nothing about engineering to being a veteran warp core engineer in 200 years. Going for child Khan and really leaning into the fucked up reality that these children were science experiments kept locked in basements for the first time in the franchise? The reminder that Toronto is actually pretty damn photogenic when it's not shot on a CW budget.
And you know what? Paul Wesley doesn't have Kirks voice, and the script still doesn't quite sound right, but he's got the Kirk delivery really nailed. He doesn't sound like Shatner, but he sounds like Kirk
Which is insane. Its not my biggest problem with this episode but the revelation that the Federation has had like...violent pogroms against augments with children being arrested and what sounds like ghettos is incredibly bad? Its presented as an example of how "unfairly" augments have been treated, but that's not unfair treatment, that's borderline genocidal. It puts a way darker spin on the Federation than I think the writers were intending, like I don't think even DS9 in its attempts to deconstruct utopia ever implied anything half as monstrous.
What I can't get out of my head this morning is actually Bashir's plotline with his parents on DS9, because it captures what's so insidious about even "benevolent" genetic modification. He's not angry at them just because they broke the law, he's angry at them because they decided they didn't like who he was and chose to transform him into someone else, someone he feels is a different person. And this is actually the fundamental argument against a social program of gene management in real life; it allows society to police what types of bodies and what types of minds are "normal" and flattens species diversity and experience diversity in favor of whatever the norms say is "better". The danger isn't just the risk of Khan like supermen, its a moral argument against determining how people's bodies and minds are going to develop before they can even consent, even before they're born.
As strongly as I feel about this, I do think you could create a case for why what the Ilyrians do is meaningfully different, the "adapting to other planets rather than making them adapt to us" idea is interesting and complicated, but it felt extremely cursory in this ep
I think this episode was really good...if the issue of discrimination was over literally anything other than a social practice of genetic modification. Star Trek's hardline stance on linking social genetic modification to eugenics is one of the things that I've really appreciated, especially as corrosive "thought experiments" about it have sort of entered back into the discourse. I don't think you can practice genetic manipulation on a society wide level without it going very bad very fast. At least I don't think humans can, and the episode doesn't really make a case for why the Illyrians are better at it.
The core message of this episode is so important, especially at this current moment, and the right of people to self determination and to safety and security in their identities and differences is right at the heart of Star Trek, so I'm glad to see SNW continue to affirm it. But...just...there are reasons, real reasons, with lots of horrific history behind them, for why normalizing genetic manipulation in the name of improving or "fixing" populations of people is still a real third rail for me, and I wish the episode had figured out how to engage with that specifically a bit more. This episode does not actually convince me that in the far future utopia of the Federation the dangers of genetic modification as a practice have been addressed, and in absence of that "It used to happen and its bad, but stuff is better now and can't we relax a little" is a bit...hollow
I think you could fix this for me if you made it so that Illyrian genetic modification was something that members of their species voluntarily entered into in adolescence or early adulthood. Make it more of a practice that people voluntarily keep up and less of a program that their society runs and the whole thing works way better for me. That also makes the loose analogy to transgender people in our current time, and really just the right of bodily autonomy and self determination, way more coherent.
The more I think about this episode the more impressed I get. There's so many small moments where they could have taken the easy, obvious choice and it would have been fine, and instead they were just a little more thoughtful and a little more creative and it shows.
They could have just had Pelia push a secret button to reveal her stash of alien tech, and that probably would have been fine. Instead they show her as this woman who's very smart and obviously immortal but otherwise...just a person living through history, which is so much better. Imagining the 250 years between the present and when she's one of the most famous engineers in the fleet is fun.
They could have had the Romulan agent just be a cold, ruthless assassin from the future who's here to get the job done, and that would have been fine. Instead she's this slightly unhinged woman, trapped out of time, stuck undercover on an alien world for thirty years on a mission that she's not sure exists anymore and I love the way she starts losing it at the end, that she just wants to kill this kid and be done with it.
They could have cast Khan as a hot 20 something available in the Toronto area and had him to a Ricardo Montalbán impression and give us a tense standoff, and I would have been annoyed at that, but it probably would have been fine. Instead they show us an actual child, and remind is that Khan was a horrifying monster, but he was created by a world with monsters of its own, monsters who built a child in a laboratory and raised him in a basement, and suddenly its a piece of implied context made explicit that I didn't even know I wanted.
And of course they could have just had Kirk agree to fix the timeline because its the right thing to do, or because he loves La`an, or because...honestly, because the plot has to happen, this is something that so many stories would just gloss over to keep the story moving. And instead we get one line, "Sam's alive?" and my heart jumped to my throat a little bit and immediately we understand why he's willing to go through with this.
I'm really really impressed with the writers on this episode.