Such a beautiful game but I couldn’t stand being on edge the whole time. I’m stressed enough as it is.
Playing on the Nintendo Switch was an interesting experience, with a rendering distance so short that by the time anything dangerous pops into view it’s already too late.
I visited that island way too early in the game
This is excellent. Thank you! I genuinely didn’t get it until reading your reply. In fact, I was thinking of posting a meme along the lines of ‘I don’t understand how the microblog feature works and at this point I’m too afraid to ask’. No need anymore.
Now all I DO need is a way to save/bookmark posts for future reference.
Kind of discouraging to be downvoted for sharing a differing opinion. Surely, other people’s preferences merit consideration too?
Just my two cents: I prefer the way it is. The Hacker News way always trips me up, especially when switching from Apollo – where post titles link to the post. I realize how bad this is going to sound, but the OP and the comments are what I’m here for. I judge whether the linked content is worth visiting based on the comments, so that’s where I prefer to start.
Nicolas Jaar’s Space Is Only Noise and Olafur Arnalds’ For Now I Am Winter (slightly more neo-classical/acoustic) are two I regularly revisit precisely for how cohesively the tracks fit together. Oh, and anything by Floating Points.
Mind, none of these use 100% electronic/synthesized sounds, so I don’t know if they count.
slither.io 🐍 Become the longest snek in the multiplayer pit by tripping up other players and feasting on the dead – until the inevitable moment when the same happens to you. Nothing like thinking you’re the very biggest, only to discover you’ve slowly been completely encircled by a much, much bigger snake and no amount of coiling is going to change the outcome.