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“Yes, there will be long lines at the parks’ fee booths, closed visitor centers, overflowing toilets, and poop on the trails, but there will also be severely impaired natural and cultural resources.”

The adaptation of Stephen King’s short story uses its source material as a loose framework for a Final Destination-style, gory comedy romp filled with a nonstop onslaught of over-the-top, Rube Goldberg machine-like elaborate deaths. All of it is a comical, carnage-fueled reminder of the film’s core thesis: Death comes for us all, and it’s quite silly to presume you can stop it.