11 years old
“programmed obsoletism”
Serious question, how old is your laptop?
Star Trek is cool
Bingo. It was kinda cute at first when it was still trying to be funny, but as the parody pretense slowly fell away it just got boring.
The strangest part about it is how each episode is a remix of a Trek episode and yet the remix makes it very clear that the writers just don’t get it. For example, season 2’s “Blood of Patriots” is a rearrangement of “The Wounded,” but the subplot about Mercer and Malloy being best friends forever trivializes what TNG successfully depicted as a nuanced dilemma.
There’s no accounting for taste, but it genuinely surprises me that there seems to be so many Star Trek fans who think it’s any good. On the other hand, it seems pretty safe to say that season 3 was the last, so clearly the actual numbers were unremarkable.
What a lovely episode.
I saw a fair amount of skepticism across the Fediverse about how musical episodes are always bad and annoying, to which someone would always respond "well, Buffy nailed it." Apparently the SNW writers feel the same way, because "Subspace Rhapsody" isn't just a homage to "Once More With Feeling," it's a love letter. They may have swapped the demon for a subspace wedgie, but they kept the idea of using music to force the characters to confront their feelings about each other, and they even threw in a bunny callback.
10/10. I hope SNW maintains the tradition of a theatrically silly episode near the end of each season as long as it runs!
Jim Kirk on Pike’s Enterprise - Inverse dives into an analysis of canon constraints and lack thereof
But again, the notion that NX-01 was called "Dauntless" before the Borg First Contact incursion is your headcanon. No one working on Enterprise ever attested to that, and Cromwell's casting as Cochrane is certainly not evidence of this alteration.
You started this conversation by saying "They did the same thing for First Contact" and I just want to know who "they" is and what the "same thing" that "they did" is. You've brought up this Dauntless/Enterprise theory twice now but that's certainly not evidence that any "they" did any "thing." As far as I can tell it is your headcanon for a relatively minor inconsistency that could have any number of other explanations, the most obvious one being that Arturis got a detail wrong.
I just find it incredibly hard to believe that anyone working on Enterprise was working on the assumption that they were creating a show in a timeline that was "altered" by the events of First Contact. That was never alluded to in the show's four year run and as far as I know no one working on that show ever said anything of the sort.
Jim Kirk on Pike’s Enterprise - Inverse dives into an analysis of canon constraints and lack thereof
How does Cromwell reprising Cochrane in "Broken Bow" support the notion that Enterprise is in a different timeline from all previous Star Trek? I don't see how these things are connected at all.
Jim Kirk on Pike’s Enterprise - Inverse dives into an analysis of canon constraints and lack thereof
Interesting headcanon, but headcanon nevertheless. I'd wager heavily that neither the First Contact nor Enterprise production staff share this interpretation, much less intended it.
Jim Kirk on Pike’s Enterprise - Inverse dives into an analysis of canon constraints and lack thereof
they have the actors say “these events weren’t supposed to happen” repeatedly on screen?
The purpose of the "time has been altered and we need to fix the timeline" conversation that occurs near the beginning of every time travel story is definitely not to inform the audience that every subsequent installment of Star Trek will occur in an altered timeline.
In fact, it's just the opposite. The entire reason the characters are so concerned with restoring the timeline is that they want to return to their lives in an unaltered timeline.
Jim Kirk on Pike’s Enterprise - Inverse dives into an analysis of canon constraints and lack thereof
I don't really care if they mess around with continuity if continuity is interfering with a good story they want to tell. My point is that the SNW writers are making a clear and concerted effort to maintain continuity.
Jim Kirk on Pike’s Enterprise - Inverse dives into an analysis of canon constraints and lack thereof
Has the writing staff of First Contact ever confirmed, on the record, that it was their intent to alter the timeline? Has the writing staff for Enterprise ever indicated that they intended to depict an "altered" timeline?
Jim Kirk on Pike’s Enterprise - Inverse dives into an analysis of canon constraints and lack thereof
and there could be some minor adjustments with the characters to accommodate the story that showrunners want to tell.
Other than the Kelvin timeline where they said up front "THIS IS A DIFFERENT TIMELINE," when has that ever happened?
Keep in mind, we're talking about showrunners who contrived a reason for Pike to be "fleet captain" for a single episode just so they could have Kirk and Pike interact without invalidating one line from TOS: "Court Martial." These are not the type of Star Trek fans who are going to make "minor adjustments" and justify it with "well you see back in S02E03 we changed the timeline, so now we can do whatever we want!"
The inmates are running the asylum