this post was submitted on 26 Nov 2023
601 points (97.6% liked)
Technology
59772 readers
3726 users here now
This is a most excellent place for technology news and articles.
Our Rules
- Follow the lemmy.world rules.
- Only tech related content.
- Be excellent to each another!
- Mod approved content bots can post up to 10 articles per day.
- Threads asking for personal tech support may be deleted.
- Politics threads may be removed.
- No memes allowed as posts, OK to post as comments.
- Only approved bots from the list below, to ask if your bot can be added please contact us.
- Check for duplicates before posting, duplicates may be removed
Approved Bots
founded 2 years ago
MODERATORS
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
Thanks.
Putting the El Observador article through translate
Spotify says that it already pays for the rights. This understanding would mean that the players in Uruguay should work out how that is to be split.
Spotify fears that the new law turns what they pay currently, simply into one share of the total, implying an extreme increase of the cost.
What is Agadu? Seems like a pretty high tax considering the remaining 40% go to those who made the music .
AGADU is the society of authors. Kind of an union (it's not an union but sort of). It's suppossed role is defending the rights of authors
It's a copyright management firm. Some countries have government-sponsored monopolists for that. This looks like one of those.
The author of a song and the performers may not be the same (most obvious with covers). Most of the money collected by Agadu is presumably paid out to the authors/songwriters (or whoever they sold the rights to?), minus management fees. Whether the pay-out scheme is fair, may be another point of contention. Think about a live band playing covers by various authors in some bar: How is it tracked what they play, and how much should be given to each of the many different authors? I don't know how that works in Uruguay, but my country has a system of that sort.
How does this work for international performers though?